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Human Rights and Film at 150
*AC: Most museums focus on artifacts and material culture, whereas the CMHR tends to focus more on personal experience and storytelling. How do you see the potential of...
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B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture
Thompson praises Osborne’s work, “I never felt that I saw someone like me represented on screen until I saw Sense8.9A Thousand Cuts shows just how rare a truthful portrayal...
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A Lineage of Self: Vivek Shraya’s TRISHA
Shraya, a trans woman of colour, has remarked that her body of work, which spans albums, books, films, and photo essays, is often informed by the oppressions she...
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Alone Together, Fast and Slow: Browsing through the films of Greetings from Isolation
Peter Rowe’s animated film Dying to Tell You also explores hospital life. This fictional short, made up of a series of colourful and sketchy line drawings, provides a first-person account of...
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Telling Women’s Stories: A Spotlight on NFB Animation
In Flawed (2010), Andrea Dorfman takes on the issue of body image. She draws and paints in real time as she tells a series of stories from her...
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Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell
Equinox Vigil was a free, family-friendly and non-religious evening to remember the dead in an artist-led, participatory way that over 500 people a year experienced as moving and magical. The...
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Dan Olson
*Dan Olson* is a Calgary based photographer, filmmaker, and educator. Alumni of SAIT’s film and video production program, he is a proud Albertan, and no matter how far he roams, always finds...
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By A Shift Of Distance
3 Women demonstrates how Altman's creative development has arrived at an apt capability to eloquently explore more complex and stranger aspects of human nature by 1977. McCabe & Mrs....
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Punning Photography’s Legacy: His dreadful glance
This is less an exhibition of photographs than an exploration of the scopic imperatives that underlay the history and practice of photography. While all representational art relies on mimesis,...
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Queers and Our Counterparts
AF: Mm. NK: —Films, you know, can occupy those spaces as well, but also have their own life via, you know, social media, and the internet, and also— AF: Yeah, they go into...