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• PRAYER FOR A LOST MITTEN: An Interview with Jean-Francois Lesage

  *Guillaume Carlier (GC): Was it a surprise when you won?* Jean-Francois Lesage (JL): Yes, it was a surprise. Usually in a festival you would be going to the...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  I am an interdisciplinary performing arts creator and producer working out of Treaty 6 Amiskwaciywâskahikan-Edmonton and Treaty 7 Mohkínstsis-Calgary. When the first wave of COVID-19 hit our cities in 2020,...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  What these audiences, our audiences, want from performing arts are art experiences. They can get their art objects elsewhere, and frankly, they can get better art objects by better...

• The Art Experience vs The Art Object: Performing Arts in the Digital Realm

  To achieve liveness, at some point, you must be live. You cannot replicate that moment of the shredded canvas, and pre-recorded content can be perfectly copied again and...

• Ireke Amoji

  *Ireke Amoji* is a playwright, actor, director and an award-winning independent movie producer. He has a BA in Dramatic Arts from the University of Nigeria and an extensive career...

• Finding Community in Unfolding Spaces: An Interview with Vicki Van Chau

  *Vicki Van Chau (VVC):* I'm a media artist and cultural worker here in Calgary, Alberta. I went to the Alberta College of Art and Design, now the AUArts,...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  Mati Diop has downplayed Sembène’s influence on her work in favour of her uncle, Djibril Diop Mambety’s filmography. Samba Gadjigo, the foremost scholar on Sembène, argues that  Sembène paved...