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PORTABLE CLOSETS by Kyle Alden Martens
Every individual/collective is welcome to participate. The rules are not set in stone, but rather in the turtlenecks. With turtlenecks the players will move forward as instructed by one...
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Editor's Note
Having grown up in a small town in rural Quebec, raised by primarily atheist parents, I did know about Jehovah Witnesses but I had never heard of Seventh...
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The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
Fluctuating between a re-enactment of Joseph Smith’s “Visitation”,1scenes depicting pilgrims, missionaries and polygamists staged in the Mojave desert, and home-movie like sequences of the faithful walking to the temple in...
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THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA
After watching DIS.ART, I turned my attention to the posters, collectively titled Onboarding: Thumbs That Type and Swipe. It consisted of seven 38" x 29" lightboxes, with design by...
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B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture
The New Gallery, who selected and exhibited the work, offered a number of accommodation options such as “the placement of a QR code in the vitrine allowing viewers...
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Editor's Note
I have been thinking a lot lately about whose stories are being told, and even more importantly who gets to do the telling. Is it important who the...
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Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE
The Victorian-looking kettles, large brass keys, stopwatches, archaic playing cards in the film are all objects we still use often, but versions of which that have faded into obscurity....
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Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW
The years between the Mansfield footage being taken, Mercury’s career and death, and Ryan’s M:ST performance can serve as a timeline for the different ways that queer people have...
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Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike
It’s a surprisingly slippery story for such an important moment in Canada’s labour history, but that hasn’t prevented filmmakers from taking a stab at telling the strike story over...
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Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW
Ryan performed Love Me Like There’s No Tomorrow for the M:ST (Mountain Standard Time) Performative Art Festival, a biennial event that coordinates collaborations between numerous art and performance organizations...