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Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW
Los-Angeles based artist and film director William E. Jones used this 1962 Mansfield footage for his video works Mansfield (2006) and Tearoom (2007). Jones created Mansfield after finding a...
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Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY
The three short films in Vancouver-born, Berlin-based director Shaw’s Quantification Trilogy, Quickeners (2014), Liminals (2017), and I Can See Forever (2018), look like documentaries dating from the near to...
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Time Record: A Memoir of Teenage Cinephilia by VCR
My viewing choices were shaped by a number of tastemakers. I surrounded myself by a set of books, some of which I owned (mostly scrounged from used bookstores),...
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Fostering Women and Filmmaking: 30 Years of Herland
For Vanessa Wenzel, being selected for the 2019 workshop marked a milestone in itself. She remembers, “It was the first thing I got, the [creative] world accepting me....
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Fostering Women and Filmmaking: 30 Years of Herland
Somers made it her goal to work against this pattern, and looked for ways to bridge the gap and bring women’s voices forward. She theorizes that emerging female...
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Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY
The “interviews” and the rest of Quickeners, has been reworked from real-world documentary footage about a snake-handling Evangelical Christian sect from Appalachia in mid-century America. The black and white...
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Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY
I Can See Forever, the final film in the trilogy, shifts its filmic style into a kind of mid-nineties documentary interview show in the style of Discovery Channel programming....
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Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell
Equinox Vigil was a free, family-friendly and non-religious evening to remember the dead in an artist-led, participatory way that over 500 people a year experienced as moving and magical. The...
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Edmonton Sound Travels
Raylene Campbell “The year is 1974, and it’s just after dinnertime in Sherwood Park, Alberta.”13Raylene Campbell is setting the scene for her musical origin story during an AMAAS after-party in...
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Compassion and Resistance: Rita McKeough’s Works
From exposing violence in the domestic realm to musing about post-apocalyptic futures, one cannot help but notice a speculative world where a human presence is redefined over time by...