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• Fascinated and Repelled: an Interview with Lorenzo Fusi

  ST: It’s a generalization, but I think that Canada has this kind of double-edged insecurity in relation to nature and art; on one hand, Canadians are kind of...

• Fascinated and Repelled: an Interview with Lorenzo Fusi

  During his first three weeks, Fusi organized IKG LIVE1, an exciting two-day performance festival at the Alberta College of Art and Design welcoming the temporal works of over...

• Requiem for a Glacier: Mourning Climate Change

  To draw attention to this issue, Victoria BC composer and artist Paul Walde created Requiem for a Glacier, a forty-minute video installation and sound performance currently on view at the Montreal Museum of Fine Arts. Filmed on July 27, 2013, the...

• Bruce Hugh Russell

  Born in Vancouver in 1952, Bruce Hugh Russell studied at the Vancouver School of Art (now Emily Carr University) and at Concordia University. An independent curator and art historian,...

• The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura

  The siting of Nanton’s Camera Obscura is very deliberate. When asked about its placement, Lawrence responded, “While we looked at a couple of other locations around the perimeter of...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  In the 2017 video installation Painting with the Man, Olafson questions the instrumentalization of women’s bodies in Yves Klein’s 1962 Anthropométries series where he covered women in his patented blue paint and made prints of...

• SPAM: No More Plastic Humyns! I Want Affective Indoctrination.

  Currently, as we live through a pandemic with government mandated self-isolation, we are facing increasingly online and networked existences. So many interactions and behaviours that consisted of physical humyn...

• As the Mind Tracks Shape... As the Mind Recalls Sound...

  JN: Since its origins, documentary film has challenged the claim to pure objectivity that goes hand-in-hand with the development of Western rational-technical culture. Experimental or hybrid documentary forms take...

• The Black Diaspora in Conversation: From Ousmane Sembène to Marilyn Cooke

  Mati Diop has downplayed Sembène’s influence on her work in favour of her uncle, Djibril Diop Mambety’s filmography. Samba Gadjigo, the foremost scholar on Sembène, argues that  Sembène paved...

• Edmonton Sound Travels

  Raylene Campbell “The year is 1974, and it’s just after dinnertime in Sherwood Park, Alberta.”¹³Raylene Campbell is setting the scene for her musical origin story during an AMAAS after-party in...