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• Human Rights and Film at 150

  *AC: The CMHR is located in Winnipeg and as a national museum celebrates stories from across Canada and around the globe. How have you enabled people to engage...

• Equinox Vigil in Calgary’s Historic Union Cemetery 2012 –2018: A Farewell

  Equinox Vigil was a free, family-friendly and non-religious evening to remember the dead in an artist-led, participatory way that over 500 people a year experienced as moving and magical. The...

• Intimacy and Distance: Mona Hatoum at the Western Front

  In Hatoum’s video Variations on Discord and Divisions, created at the Western Front in 1984, the boundary between the inside of the body and the outside is breached....

• Fascinated and Repelled: an Interview with Lorenzo Fusi

  SARAH TODD: Performing the Landscape was one of the first projects you launched almost as soon as you arrived in Calgary as Visiting Academic Curator of IKG. Your...

• A Revolution (Briefly) Embodied

  For many in the Canadian South, there is Atanarjuat and then there is everything that came before: a pliable history whose key players are Robert Flaherty, the National Film Board and local broadcasting societies....

• Ektoplasm-o-vision! with Guy Maddin

  ML: Do you imagine “ectoplasmovision” as one long word, or with hyphens? GM: I sort of deleted it from my memory after attempting to coin the term. It seems...

• By A Shift Of Distance

  Stylistically, Robert Altman is renowned for ensemble casts, resisting the bounds of any one genre and for a constantly moving camera that plays venue to evolving worlds, lengthy dialogues...

• By A Shift Of Distance

  3 Women demonstrates how Altman's creative development has arrived at an apt capability to eloquently explore more complex and stranger aspects of human nature by 1977. McCabe & Mrs....

• By A Shift Of Distance

  What is additionally enriching for any cultural discourse is how Altman dissolves the boundaries of private and public spaces throughout the film. In the aforementioned mass pile up, Nashville...

• Of Love and Politics: Kiju Yoshida’s Love + Anarchy

  Kiju Yoshida was born in 1933 and, alongside fellow filmmakers Nagisa Oshima, Seijun Suzuki[mailto:https://www.criterion.com/explore/86-seijun-suzuki] and Masahiro Shinoda, was one of the key figures in Japan’s ’60s Nouvelle Vague, making films that, like their French counterparts,...