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Movement as Activism
Ties made through social media however—groups on Facebook, Twitter hashtags, Instagram private messages—are low-risk, with a low level of accountability. While they succeed in exposing a User to new...
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Creating a Baseline
*Ted Stenson: Can you tell me about the very beginning of this project? How long ago did you start working on it?* Gillian McKercher: The formal start was...
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A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE
As the dynamics between the women transform from an aching desire to becoming passionate lovers, the function of the film’s slow tempo and careful gaze begin to change....
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Queers and Our Counterparts
AF: Exactly. Yep. DM: And it’s like, well no, if you keep watching—which people usually do—then that’s when the details come apart and then it’s like dissecting it as...
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The Art Experience vs The Art Object: Performing Arts in the Digital Realm
For people like me trying to turn robotic, audience-controlled fish into our scene partners – it’s a good reminder that we don’t have to go it alone all...
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Handmade Portraits
With In the Backyarden (2015), a film featuring a little girl playing in and exploring her surroundings, McIntyre evokes the time and place of warm, childhood memories. The film is...
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What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP
Close-Up brings tensions between classes into the foreground, exploring the differences of wealth and the way that people personally separate from each other as a result. The working class...
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Listening to Wetland Project on Earth Day 2020: “It’s always the right sound at the right time”
While the sounds of the marsh were ever changing, its ambient presence was consistent. For listeners dealing with the incongruity of life in lockdown while witnessing the world in...
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Lorenza Mazzetti: Free
Despite a childhood punctuated by war and murder, Lorenza has had major exhibitions of paintings in Israel, France, and Germany. In the 1950s, she co-founded Free Cinema, a film...
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The Spectacle of Power: Ken Russell's THE DEVILS (1971)
Another earlier scene, Jeanne of the Angels is tortured publicly in the name of cleansing her spirit, and a crowd wearing black masks watches. This masked audience echoes...