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Edmonton Sound Travels
Raylene Campbell “The year is 1974, and it’s just after dinnertime in Sherwood Park, Alberta.”13Raylene Campbell is setting the scene for her musical origin story during an AMAAS after-party in...
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The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura
This on-going research brings the enduring relevancy of the camera obscura to the fore. The Nanton Camera Obscura affects viewers in many ways. Those who interact with it...
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Edmonton Sound Travels
Marcel Dion In many ways, the current Edmonton sound art scene goes back to a campus radio show that began the year before the Sound/Art exhibit: Departures, hosted by...
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Femme, Fierce, & f-stops: Women Working in Photography
*Rocio Graham | @rociograham | rociograhamstudio.com* Rocio Graham calls Calgary home. She emigrated to Canada from Mexico in 2002. She studied art at Emily Carr University and at the...
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What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP
Kiarostami blurs the traditional line between documentary and fiction to tell and re-tell the story in Close-Up. The people involved all play themselves in the re-enacted scenes from the...
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Editor's Note
This issue of Luma Quarterly looks at film, video, performance, and media art grounded in a sense of discomfort. Whether it is the abject, ejaculating cactus in Matthew Rankin’s...
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Matthew Rankin Asks “Who Owns The Twentieth Century”?
*GC: The heart is on the sleeve in Québec. * MR: Denis Coté, Stéphane Lafleur and Robert Morin, those are great Québécois ironists. I think for the most part, everyone...
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Matthew Rankin Asks “Who Owns The Twentieth Century”?
*GC: I feel like it comes across in the film. Even the acting, everyone seems very much living in the world you created. It’s like they bought in...
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Matthew Rankin Asks “Who Owns The Twentieth Century”?
*GC: There’s something so Canadian about that.* MR: Yes! We’re living in this very binary era and the elastic is really stretching to the snapping-point. So the centre is...
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Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT
The Revenant places a similar emphasis on incapacitation, but the source of Glass’ difficulties is the active danger of the narrative environment. Gone is the deceptive calm of landscapes,...