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• What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP

  Kiarostami blurs the traditional line between documentary and fiction to tell and re-tell the story in Close-Up. The people involved all play themselves in the re-enacted scenes from the...

• What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP

  Images of flowers are repeated throughout the film. A man finds flowers in a pile of scraped up refuse on the road. We then see the flowers again...

• What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP

  Close-Up brings tensions between classes into the foreground, exploring the differences of wealth and the way that people personally separate from each other as a result. The working class...

• That Battle is Over, Girl: Alice Schoenberg

  The perceived achievement of equality is an insidious form of repression itself. It manifests in the statement, “Well I sure don’t feel oppressed”. In creating a lack of challenging...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  The film is a beautiful mixture of history, satire, dedication, and deep questioning. Rankin has been absorbed in all of the aesthetic power of Winnipeg, and taken it...

• Matthew Rankin Asks “Who Owns The Twentieth Century”?

  *GC: The heart is on the sleeve in Québec. * MR: Denis Coté, Stéphane Lafleur and Robert Morin, those are great Québécois ironists. I think for the most part, everyone...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  Red Letter Day has plenty of echoes of other films, ranging from The Purge franchise (2013-ongoing) that represents a special “day” that encourages violence, to Calgary filmmaker Gary Burns’s...

• Intimacy and Distance: Mona Hatoum at the Western Front

  In Hatoum’s video Variations on Discord and Divisions, created at the Western Front in 1984, the boundary between the inside of the body and the outside is breached....

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  While Calgary’s official brand splits the difference between anachronistic fantasies of rural simplicity and the skyscraper-strewn capitalist mecca, the reality is that suburbia vastly outstrips them both. It’s perhaps...

• Being Artful: An Interview with Multimedia Artist Brad Necyk

  *SC: Due to these diverse mediums, you exhibit shows in a number of different contexts and gallery spaces. In Alberta alone to start 2020 you're participating in the...