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  • Queers and Our Counterparts

     This interview was held on January 5th, 2017 in Calgary, Alberta, and has been edited for length.   ANGELA FERMOR: So my name’s Angela Fermor, I’m an emerging artist...

  • Queers and Our Counterparts

    DM: Mhm. AF: —that in order to sort of validate the conversation of like a gender queer or trans body, there has to be nudity involved. NK: Hm. AF: Um… DM: Which...

  • Queers and Our Counterparts

    AF: Yeah, definitely. Yeah, I guess, I kind of explained my position, and sort why I’m asking these questions. Um, I come from a practice based almost entirely...

  • Queers and Our Counterparts

    AF: Exactly. Yep. DM: And it’s like, well no, if you keep watching—which people usually do—then that’s when the details come apart and then it’s like dissecting it as...

  • Queers and Our Counterparts

    AF: Mm. NK: —Films, you know, can occupy those spaces as well, but also have their own life via, you know, social media, and the internet, and also— AF: Yeah, they go into...

  • As the Mind Tracks Shape... As the Mind Recalls Sound...

    JN: In your 1994 film Technilogic Ordering, prolific images of the Persian Gulf War, refracted through the format of TV news, are manipulated using the mosaic function on...

  • As the Mind Tracks Shape... As the Mind Recalls Sound...

    JN: Since its origins, documentary film has challenged the claim to pure objectivity that goes hand-in-hand with the development of Western rational-technical culture. Experimental or hybrid documentary forms take...

  • As the Mind Tracks Shape... As the Mind Recalls Sound...

    JN: Printed text and recorded speech play important roles in your work as positioning devices. What are the powers each brings that determine when you might use one...

  • As the Mind Tracks Shape... As the Mind Recalls Sound...

    JN: You’re known as a prolific chronicler, your camera and sound kit ever-ready to make recordings that may not make their way into resolved works for some time....

  • Failure, Transformation, Order: Tasman Richardson's "Janus"

    Straddling the left and right brain, Richardson’s dual-channel video installation, launched February 2nd at EMMEDIA’s PARTICLE + WAVE Media Arts Festival[http://emmedia.ca/2017/01/particle-wave-feature-night/], is an astute interrogation of video-as-medium and, I wager, an abstract gesture...