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  • Punning Photography’s Legacy: His dreadful glance

    This effort to make strange is heralded in the entrance to the exhibition, where the corkboards along the narrow entrance corridor have been ‘curated’ by the artist, who carefully...

  • On Collectives, Projects, Film Itself, and a Sausage Factory

    *KEVIN RICE: Based on your experience with Double Negative[http://doublenegativecollective.blogspot.ca/], what do you think is the most critical function that a film collective serves, both for the individual filmmaker as...

  • On Collectives, Projects, Film Itself, and a Sausage Factory

    *LM: With Process Reversal you’ve done a lot of touring, traveling, knowledge-sharing, and engagement, which is really quite different than the activities of Double Negative—would you say that those...

  • On Collectives, Projects, Film Itself, and a Sausage Factory

    *KR: Over the last few years, you’ve been conducting interviews and producing footage for your soon-to-be completed newest work, The Story of Film, about the state of analogue film....

  • On Collectives, Projects, Film Itself, and a Sausage Factory

    *KR: And, of course, there is no singular answer to the problem of inclusion in our community, but what would you say is the best step that organizations—including film collectives...

  • Human Rights and Film at 150

     *ALANA CONWAY: Our Canada, My Story focuses on seven short films to explore the lived experience of Canadians from across the country. Why did you choose these individuals, and...

  • Human Rights and Film at 150

    *AC: Most museums focus on artifacts and material culture, whereas the CMHR tends to focus more on personal experience and storytelling. How do you see the potential of...

  • Human Rights and Film at 150

    *AC: What were some of the technical challenges in developing this exhibit?* JP: The exhibition is comprised of seven intimate, circular spaces throughout the gallery, one for each film. Each...

  • The Language of Trees

           The Heritage Tree                         I think the tree is an element of regeneration which in itself is a concept of time. Trees have always been a form of sculpture,...

  • Kevin Rice

    *Kevin Rice* has been working with film since 2007. His practice is predominately based in the darkroom where he researches all aspects of photochemistry and performs in depth experiments on...

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