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B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture
This is not your average video mashup. Unlike more typical, easy viewing mashup compilations, the editing in A Thousand Cuts is purposefully not seamless and the supposed humour...
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Editor's Note
I have been thinking a lot lately about whose stories are being told, and even more importantly who gets to do the telling. Is it important who the...
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Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY
Wreck City is a collective of artists and curators who organize public exhibitions in unconventional sites including pre-demolition houses, abandoned buildings, and vacant commercial spaces (https://www.wreckcity.ca/residency[https://www.wreckcity.ca/residency]). This year, the collective hosted...
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Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY
In anticipation of our first meeting, Polina’s film had been on my mind. As I passed the Bow River by taxi that first day in Calgary, I was...
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Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY
Between voice-overs, a soundtrack of solemn string instruments creates tension, a tightening, until eventual silence; an exhale. Polina uses the camera’s perspective to move us through a broken landscape—dry,...
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Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY
After a three-year long project like Eulogy, the playfulness and camaraderie of Wreck City allowed Polina to explore the documentary format with a lighter hand and a shorter...
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Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike
While Foote’s photos have stood the test of time, films shot during the strike have largely been relegated to obscurity, and many of them have been lost forever. According...
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Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike
From Arsin to Gonick, Kelly to Schur, the past 100 years of films about the Winnipeg General Strike reveal as much what we don’t know about the strike...
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Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban
*GM: The mirror is important in Parallel because it is the portal to other universes. But you also use mirrors in your earlier films to convey human identity...
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The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO
Despite its title, this series of films is anything but quiet. Terracciano’s use of the adverb speaks more to her approach of capturing how each artist dances. She...