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  • Our Lexicon of Dark Corners to Light Up is Always Expanding

    LUMA: The details of the individual collective members aren’t currently available on your website. Can you speak to your decision to present Iris as a discrete entity (at least...

  • A Failed Poet

    But for all (or perhaps because of) its genius, Frampton’s work could be hard to sit through, especially in a public theatre setting. Somewhat like how the best...

  • Our Lexicon of Dark Corners to Light Up is Always Expanding

    LUMA: This might be a good opportunity to speak about your current residency at Falaise Park Field House, which continues through 2017. IRIS: The Fieldhouse residency has really allowed...

  • Editor's Note

    Unmoored in the middle of nowhere.    John[sitetree_link,id=186] finds himself stranded in the dirt-encrusted mining town of Bundanyabba on his way to Sydney for the Christmas holidays. He meets Doc,...

  • Ektoplasm-o-vision! with Guy Maddin

    ML: Do you imagine “ectoplasmovision” as one long word, or with hyphens? GM: I sort of deleted it from my memory after attempting to coin the term. It seems...

  • Ektoplasm-o-vision! with Guy Maddin

    ML: On a different topic, I Googled “Maddinesque” this morning... GM: Oh, I’ve never done that. ML: I got about 10 000 hits. And somebody added it to urbandictionary.com in...

  • Maeve Hanna

    *Maeve Hanna* is a writer and curator based in Northern BC where she holds the position of assistant curator at Two Rivers Gallery in Prince George. Hanna holds...

  • Reclaiming the North

    And yet, some seventy-five to ninety percent of all Canadians live within one hundred miles of the American border, and even fewer have ventured to the northernmost regions. In...

  • Double Visions: Stephen Broomer & Kyle Whitehead in Dialogue

    The Latent Collisions, initiated by Stephen Broomer, is a series of 16 mm films, 35 mm slides, and photographic prints produced by chance superimpositions, made either in collaboration with...

  • A Revolution (Briefly) Embodied

    For many in the Canadian South, there is Atanarjuat and then there is everything that came before: a pliable history whose key players are Robert Flaherty, the National Film Board and local broadcasting societies....

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