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• B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

  The installation also included a list of all the documented trans people who have been murdered in the last two years.¹About including the list, Osborne said, “I wanted to...

• B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

  All of these mainstream representations of trans characters fail to recognize that genitals do not necessarily equate with gender. There are certainly many trans people who actively choose to...

• B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

  This is not your average video mashup. Unlike more typical, easy viewing mashup compilations, the editing in A Thousand Cuts is purposefully not seamless and the supposed humour...

• Editor's Note

  I have been thinking a lot lately about whose stories are being told, and even more importantly who gets to do the telling. Is it important who the...

• Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE

  Alice shares only a few aspects with the well-known 1951 Disney film adaptation, which also mixes in some of the characters from Carroll’s 1871 sequel Through the Looking-Glass, such...

• Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE

  The Victorian-looking kettles, large brass keys, stopwatches, archaic playing cards in the film are all objects we still use often, but versions of which that have faded into obscurity....

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  Wreck City is a collective of artists and curators who organize public exhibitions in unconventional sites including pre-demolition houses, abandoned buildings, and vacant commercial spaces (https://www.wreckcity.ca/residency[https://www.wreckcity.ca/residency]). This year, the collective hosted...

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  In anticipation of our first meeting, Polina’s film had been on my mind. As I passed the Bow River by taxi that first day in Calgary, I was...

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  In Eulogy for the Dead Sea, Polina’s lens follows the falling of the sun and the rolling saline lake from the sky. Text across the bottom of the...

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  Between voice-overs, a soundtrack of solemn string instruments creates tension, a tightening, until eventual silence; an exhale. Polina uses the camera’s perspective to move us through a broken landscape—dry,...