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• The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

  a quiet flamenco offers the audience an opportunity to reacquaint themselves with flamenco by presenting a different relationship between sound and dance. While flamenco is traditionally a cacophonous dance,...

• The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

  The films are beautiful and moving while mysterious. Each film focuses on an individual dancer and begins with their name spoken. This acts as a relational moment: the...

• The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

  In a quiet flamenco, Terracciano seems less concerned with the character and movement of flamenco and more so with the personalities - the very personhood - of the...

• Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban

  I would say 23 days in Vancouver is equal to 40 days in Mexico. In Mexico, things move slower. For example, you might start shooting two hours after...

• Editor's Note

  I have been listening to and really loving an amazing eight episode podcast about gender non-binary identities called NB from the BBC.¹Gender non-binary is “an umbrella term for people...

• Fostering Women and Filmmaking: 30 Years of Herland

  Herland is an organization that seeks to bring films by and about women to a larger audience. Originally a festival, Herland is now focused on advancing women's careers...

• Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY

  The three short films in Vancouver-born, Berlin-based director Shaw’s Quantification Trilogy, Quickeners (2014), Liminals (2017), and I Can See Forever (2018), look like documentaries dating from the near to...

• A Lineage of Self: Vivek Shraya’s TRISHA

  Shraya, a trans woman of colour, has remarked that her body of work, which spans albums, books, films, and photo essays, is often informed by the oppressions she...

• A Lineage of Self: Vivek Shraya’s TRISHA

  Trisha is an interesting space in this regard, given that Shraya enacts and cultivates subjectivity in complex ways. There are two immediate and visible subjects of Trisha: Shraya’s mother...

• Time Record: A Memoir of Teenage Cinephilia by VCR

  I would comb it for films I wanted to see, mostly airing in the middle of the night. “Ah, Ikiru (1952) is on Thursday night. I’ll record that...