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• Editor's Note

  Unmoored in the middle of nowhere.    John[sitetree_link,id=186] finds himself stranded in the dirt-encrusted mining town of Bundanyabba on his way to Sydney for the Christmas holidays. He meets Doc,...

• Ektoplasm-o-vision! with Guy Maddin

  ML: Do you imagine “ectoplasmovision” as one long word, or with hyphens? GM: I sort of deleted it from my memory after attempting to coin the term. It seems...

• Ektoplasm-o-vision! with Guy Maddin

  ML: On a different topic, I Googled “Maddinesque” this morning... GM: Oh, I’ve never done that. ML: I got about 10 000 hits. And somebody added it to urbandictionary.com in...

• Maeve Hanna

  *Maeve Hanna* is a writer and curator based in Northern BC where she holds the position of assistant curator at Two Rivers Gallery in Prince George. Hanna holds...

• Reclaiming the North

  And yet, some seventy-five to ninety percent of all Canadians live within one hundred miles of the American border, and even fewer have ventured to the northernmost regions. In...

• Double Visions: Stephen Broomer & Kyle Whitehead in Dialogue

  The Latent Collisions, initiated by Stephen Broomer, is a series of 16 mm films, 35 mm slides, and photographic prints produced by chance superimpositions, made either in collaboration with...

• A Revolution (Briefly) Embodied

  For many in the Canadian South, there is Atanarjuat and then there is everything that came before: a pliable history whose key players are Robert Flaherty, the National Film Board and local broadcasting societies....

• By A Shift Of Distance

  Stylistically, Robert Altman is renowned for ensemble casts, resisting the bounds of any one genre and for a constantly moving camera that plays venue to evolving worlds, lengthy dialogues...

• Double Visions: Stephen Broomer & Kyle Whitehead in Dialogue

  SB: Your description makes me think of the notion of spooky action: action at a distance, the notion in physics that—if I may abuse it and bend it...

• Double Visions: Stephen Broomer & Kyle Whitehead in Dialogue

  KW: Exactly right. The problem inherent in cinema, or at least the problem I struggle with most, is that there is a tendency to premeditate reality before capturing...