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• As the Mind Tracks Shape... As the Mind Recalls Sound...

  JN: In your 1994 film Technilogic Ordering, prolific images of the Persian Gulf War, refracted through the format of TV news, are manipulated using the mosaic function on...

• As the Mind Tracks Shape... As the Mind Recalls Sound...

  JN: Printed text and recorded speech play important roles in your work as positioning devices. What are the powers each brings that determine when you might use one...

• As the Mind Tracks Shape... As the Mind Recalls Sound...

  JN: You’re known as a prolific chronicler, your camera and sound kit ever-ready to make recordings that may not make their way into resolved works for some time....

• Failure, Transformation, Order: Tasman Richardson's "Janus"

  Straddling the left and right brain, Richardson’s dual-channel video installation, launched February 2nd at EMMEDIA’s PARTICLE + WAVE Media Arts Festival[http://emmedia.ca/2017/01/particle-wave-feature-night/], is an astute interrogation of video-as-medium and, I wager, an abstract gesture...

• Failure, Transformation, Order: Tasman Richardson's "Janus"

  "The pendulum swings from realism to abstraction in history, and in my own continuum, it's the same," Richardson reflects on the trajectory of his work. By subjecting Atari...

• Failure, Transformation, Order: Tasman Richardson's "Janus"

  Something at once nostalgic and futuristic, Janus is video blasted free of the dead flesh of the figurative, a unique style of audiovisual composition where both visual and auditory elements emerge...

• Naked and Alone at The Threshold Between Two Worlds

   Coloured light blazes into the gallery, tinted by vinyl applied in geometric shapes to the surrounding half-moon windows up high—a work itself titled Eyes Breathing In, Eyes Breathing Out. Appearing like...

• Naked and Alone at The Threshold Between Two Worlds

  Titled In The Telestic Waters, I See…, these clusters are the large-scale results of Dragan’s experiments with molybdomancy, an ancient method of divination where hot metal is poured into...

• Fascinated and Repelled: an Interview with Lorenzo Fusi

  SARAH TODD: Performing the Landscape was one of the first projects you launched almost as soon as you arrived in Calgary as Visiting Academic Curator of IKG. Your...

• Fascinated and Repelled: an Interview with Lorenzo Fusi

  ST: It’s a generalization, but I think that Canada has this kind of double-edged insecurity in relation to nature and art; on one hand, Canadians are kind of...