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• Of Love and Politics: Kiju Yoshida’s Love + Anarchy

  The first film in the trilogy, Eros + Massacre (1969), is presented in two cuts, theatrical (running nearly three hours) and director (an hour longer). Unlike most directors’ cuts...

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• Of Love and Politics: Kiju Yoshida’s Love + Anarchy

  Unlike the other two entries in the trilogy, Heroic Purgatory (1970) reads like science fiction, time traveling between eras of political agitation and history, and pushing the image ahead of ’70s dystopian tales like George...

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• Of Love and Politics: Kiju Yoshida’s Love + Anarchy

  In the final film of the trilogy—the last film Yoshida ever made—Coup d’Etat (1973), Yoshida reaches back in history to February 26, 1936, when some 1,400 middle-ranking military officers,...

• Convictions: Rita McKeough's Veins

  Standing in the entrance of the room I sense a strong current of conviction. Rita McKeough's exhibition Veins is a carefully composed maquette of land, filled with sounds...

• Convictions: Rita McKeough's Veins

  The low growl escalates into furious barking. The music running through the installation sings a particular narrative of premonition: an ominous chanting, whispering, a chorus, burst of vicious growl,...

• Prayer and Ritual in Cinema

  A filmmaker based in Calgary, AB, Guillaume Carlier’s interest in the presence of religion and prayer in film comes from the meeting of two paths: his Catholic background and his...

• First Nations Involvement in Alberta’s Film Industry

  Despite the Stoney Nakoda’s visible contribution to Alberta’s film history, there has been little documentation of their involvement with the creation of these media texts, a societal failure that...

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