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                        Editor's Note
                    
                
            
            Having grown up in a small town in rural Quebec, raised by primarily atheist parents, I did know about Jehovah Witnesses but I had never heard of Seventh... 
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                        The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
                    
                
            
            Fluctuating between a re-enactment of Joseph Smith’s “Visitation”,1scenes depicting pilgrims, missionaries and polygamists staged in the Mojave desert, and home-movie like sequences of the faithful walking to the temple in... 
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                        Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE
                    
                
            
            The character of Alice (Kristýna Kohoutová) appears uncomfortable in the real world. The film is an expression of frustration at a system that forcefully tries to fit a person... 
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                        The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
                    
                
            
            Moss is now a self-professed atheist, although even this allegiance makes him uneasy; “I am averse to any/all absolutes. I don't believe in god, but I don't want... 
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                        The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
                    
                
            
            Beyond this material treatment, the process of recording images for the film may be the most compelling element of the work. Moss travelled with his family (a trip... 
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                        The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
                    
                
            
            Much of the imagery in the film, the landscapes, people, and audio recordings were the result of Moss’ travels and discoveries with Leigh Moss, who left the LDS... 
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                        The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
                    
                
            
            Although Moss has disavowed his religious heritage, he has not been able to deny the strong sense of kinship and pride he holds for his family and his... 
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                        THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA
                    
                
            
            Facing the AV equipment was a couch made of small, square hay bales, the type that was ubiquitous on Prairie farms into the 1970s, and for which I... 
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                        THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA
                    
                
            
            After watching DIS.ART, I turned my attention to the posters, collectively titled Onboarding: Thumbs That Type and Swipe. It consisted of seven 38" x 29" lightboxes, with design by... 
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                        THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA
                    
                
            
            Another poster features a figure (or two, depending on how you read the image) that appears to be collaged from commercial stock photos. The head belongs to a...