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• Nick Johnson

  *Nick Johnson* graduated from the Illustration program of the Alberta College of Art + Design in 2013 and has been freelancing and comic book making ever since. He is...

• Areum Kim

  *Areum Kim* writes and curates and has been working with many interesting artists and projects at artist-run centres both in Calgary and Vancouver.

• Michelle Lazo

  *Michelle Lazo* is a multidisciplinary artist based in Calgary with a primary emphasis in photography. She recently had a solo exhibition at Five Art & Merchandise and a...

• Reclaiming the North

  And yet, some seventy-five to ninety percent of all Canadians live within one hundred miles of the American border, and even fewer have ventured to the northernmost regions. In...

• Double Visions: Stephen Broomer & Kyle Whitehead in Dialogue

  The Latent Collisions, initiated by Stephen Broomer, is a series of 16 mm films, 35 mm slides, and photographic prints produced by chance superimpositions, made either in collaboration with...

• A Revolution (Briefly) Embodied

  For many in the Canadian South, there is Atanarjuat and then there is everything that came before: a pliable history whose key players are Robert Flaherty, the National Film Board and local broadcasting societies....

• Can Writing About Art Be Art?

  Between July 19th and August 15th 2015, Jeanne Randolph and Jacob Wren worked closely with three Calgary-based writers—Bodgan Cheta, Jillian Fleck, and JD Mersault—to examine, theorize, and actualize the intersection...

• By A Shift Of Distance

  Stylistically, Robert Altman is renowned for ensemble casts, resisting the bounds of any one genre and for a constantly moving camera that plays venue to evolving worlds, lengthy dialogues...

• Double Visions: Stephen Broomer & Kyle Whitehead in Dialogue

  SB: Your description makes me think of the notion of spooky action: action at a distance, the notion in physics that—if I may abuse it and bend it...

• Double Visions: Stephen Broomer & Kyle Whitehead in Dialogue

  KW: Exactly right. The problem inherent in cinema, or at least the problem I struggle with most, is that there is a tendency to premeditate reality before capturing...