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• B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

  The New Gallery, who selected and exhibited the work, offered a number of accommodation options such as “the placement of a QR code in the vitrine allowing viewers...

• Editor's Note

  I have been thinking a lot lately about whose stories are being told, and even more importantly who gets to do the telling. Is it important who the...

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• Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE

  Calgary’s Giant Incandescent Resonating Animation Festival (GIRAF) screened Alice on November 23, 2018. A loose adaptation of Lewis Carroll’s 1865 literary classic Alice’s Adventures in Wonderland, Svankmajer’s film shares the...

• Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE

  Svankmajer’s film is a free adaptation, opting to rely on visual nonsense rather than the original’s verbal nonsense. Carroll’s Alice strives to get home in the end, back to...

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• Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE

  Alice shares only a few aspects with the well-known 1951 Disney film adaptation, which also mixes in some of the characters from Carroll’s 1871 sequel Through the Looking-Glass, such...

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• Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE

  The Victorian-looking kettles, large brass keys, stopwatches, archaic playing cards in the film are all objects we still use often, but versions of which that have faded into obscurity....

• Desolate Stillness, Infectious Creativity: Polina Teif at WRECK CITY

  Wreck City is a collective of artists and curators who organize public exhibitions in unconventional sites including pre-demolition houses, abandoned buildings, and vacant commercial spaces (https://www.wreckcity.ca/residency[https://www.wreckcity.ca/residency]). This year, the collective hosted...