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Fostering Women and Filmmaking: 30 Years of Herland
Somers remembers a far different political climate from today. Feminist films, especially those that openly dealt with women’s bodies and sexuality, were considered controversial by the mainstream. Criticism came...
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Femme, Fierce, & f-stops: Women Working in Photography
*CYG: Okay, last question—everyone here has lived in different cities at some point but now live in Calgary. Why Calgary?* EB: When I moved to Toronto for my MFA...
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Supporting Each Other in Genuine Ways Where We Are Now
The individuals in this issue—writers, filmmakers, and artists—each take a marked interest in the people around them… using generous collaborations, absurd collages, to create spaces where uncertainty is not...
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The Darkened Room and Reflected Magic: Donald Lawrence and the Camera Obscura
The siting of Nanton’s Camera Obscura is very deliberate. When asked about its placement, Lawrence responded, “While we looked at a couple of other locations around the perimeter of...
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Punning Photography’s Legacy: His dreadful glance
Two untitled works—Untitled (unravel - front) and Untitled (unravel - back)—resembling rayographs present fragments of twigs and vegetal debris. While appearing to be contact prints, they are digital ink jet prints, trifling...
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Culture & Capital: “Real failure needs no excuse” at the Esker Foundation
A REAL JOB A major reason that Ibghy and Lemmens have chosen to focus so intently on non-productivity in their studio practice is to disrupt the enormous external and...
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Keep it loose: a short history of the Artifact Small Format Film Festival
The third person Pepper mentioned was Stephen Hanon, one of the board members that welcomed Morison’s original $100FF pitch. Hanon was a film enthusiast, and the soon-to-be editor of...
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SPAM: No More Plastic Humyns! I Want Affective Indoctrination.
Currently, as we live through a pandemic with government mandated self-isolation, we are facing increasingly online and networked existences. So many interactions and behaviours that consisted of physical humyn...
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Less Grey
*TS: What are the challenges in trying to shape a narrative at a feature length vs. something shorter, like a short film or music video? Do you feel like...
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The Art Experience vs The Art Object: Performing Arts in the Digital Realm
For people like me trying to turn robotic, audience-controlled fish into our scene partners – it’s a good reminder that we don’t have to go it alone all...