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  • First Nations Involvement in Alberta’s Film Industry

    Laughter permeated sections of the screening, where a deep and profound sadness soaked into others. At one point in Little Big Man, General Custard and his army slaughter...

  • Ted Stenson

    *Ted Stenson* is a writer and filmmaker from Calgary, Alberta. He graduated from the MFA Theatre program at the University of Calgary with a degree in Playwriting. He writes...

  • Brianna Strong

    *Brianna Strong *is a visual artist residing in Calgary, Alberta. She is interested in how a reduced visual language of dots and lines can be extended into the...

  • Alex King

    *Alex King* is the Curator/Preparator for the University of Regina President's Art Collection in Saskatchewan, Canada, previously working in curatorial roles at the Estevan Art Gallery & Museum, the Winnipeg Art...

  • Tianna Fischer

    *Tianna Fischer* recently completed a Bachelor of Arts with Honours in Film Studies at theUniversity of Calgary. She previously acted as the VP Communications for the University of Calgary Film Society...

  • Supporters

     In addition to our public funders, Luma wishes to acknowledge the generous support of the Alberta Media Arts Alliance Society for the final issue.  AMAASLogo 800px Luma relies heavily...

  • Is it finished.

    Later, I turned to Google to research these artists. Most of what came up were Facebook profiles, wedding photographers, and a lot of blank National Gallery profiles; only...

  • Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

      THE STUDIO: THE OFFICE One houses a particularly nebulous type of labour, while the other is designed specifically to execute tasks. In the studio, where process is a goal...

  • Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

    A REAL JOB  A major reason that Ibghy and Lemmens have chosen to focus so intently on non-productivity in their studio practice is to disrupt the enormous external and...

  • Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

    GOOD ONE, GUYS In a time when Calgarians are feeling vulnerable around the definitions of their labour and employment, the Esker sets an example for effective mainstream cultural programming...