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• Paint and Popcorn

  Michelangelo: Love and Death, a brisk 90-minute film by Exhibition on Screen promising to be “sensual and provocative,” features slow pans across the ceiling of The Sistine Chapel and...

• Paint and Popcorn

  Katsushika Hokusai fares much better in the documentary Old Man Crazy to Paint (an epithet the Japanese painter and printmaker gave himself in his later years), produced in conjunction...

• Editor's Note: A Scene from 16

  Hygge[sitetree_link,id=470] enter Chapters enter Starbucks bean-smells coffee-floating friendly green tinge eco-friendly person-friendly coffee-friendly green damn. A fireplace chairs that loudly screech across brown tile floor the comfort of the bathroom...

• A Powerful Audience

  *Paige Boudreau: I always feel so conflicted when people ask me "the feminism question" because it always feels so clunky—you know—‘How do you feel about us having female film...

• A Powerful Audience

  SS: But then at the same time, you know, I was [also] on the panel for women. There was a live audience, really great conversations at CIFF this...

• A Powerful Audience

  SS: When I was on a panel for Herland, a man approached me and said, ‘It would be great if you did this for men,’ and I said,...

• A Powerful Audience

  *PB: Well, it was interesting, when I attended a festival recently I didn't even realize I was in a Women's Shorts package. I was racing right from another...

• A Powerful Audience

  ML: So first of all I think us as women should support these types of festivals, like genre festivals, and fuck what everyone else thinks. If they think...

• Without the river children cannot learn how to count

• Without the river children cannot learn how to count

  An ache, and a type of magical realism in Queyras’s work, resonates with a series of Holga photographs by Calgary-based artist, Kaylin Obst. A couple weeks ago, my poetry instructor,...