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• Crossing Borders

  The fence, the focus of A Very Long Line, is the symbol of constructed nationalism and a tool to shift transborder discourse. In an earlier related project discussing...

• Crossing Borders

  The fences in A Very Long Line run in horizontal lines, then in tightly staggered vertical lines; most ominous are the heavy metal forms crossed to create forbidding...

• Sarah Todd

  *Sarah Todd* is a curator currently living and working in Calgary, where she is an art curator and public programmer at the Glenbow Museum. She has previously worked...

• Tyler J Stewart

  *Tyler J Stewart* is an independent writer, curator and musician based in Lethbridge, Alberta. With a BFA (Art History/Museum Studies) from the University of Lethbridge, his interests centre around...

• Bruce Hugh Russell

  Born in Vancouver in 1952, Bruce Hugh Russell studied at the Vancouver School of Art (now Emily Carr University) and at Concordia University. An independent curator and art historian,...

• Nicole Kelly Westman

  *Nicole Kelly Westman* is a visual artist of Métis and Icelandic descent. She grew up in a supportive home with strong-willed parents—her mother, a considerate woman with inventive creativity, and...

• Editor's Note: Re-Ornamentation

  Kapwani Kiwanga, in her 2-channel sound installation 500 ft at Esker Foundation—part of her exhibition A wall is just a wall (and nothing more at all)—gives a 12-minute oral history of institutional...

• Keep it loose: a short history of the Artifact Small Format Film Festival

  The rules were simple because the overall budget was determined by the cost of Super 8 film; $100 could buy you five rolls of black-and-white, four rolls of...

• Keep it loose: a short history of the Artifact Small Format Film Festival

  The first $100FF took place in 1992 in the basement theatre of a church at 1703 1st NW—which was also the CSIF headquarters. An intimate overcapacity audience took...

• Keep it loose: a short history of the Artifact Small Format Film Festival

  Pepper moved on to the second person that was essential to the development of the festival: Rick Doe. Doe moved to Calgary from Vancouver in 1975, and worked...