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  • The Epic of THE IMPOSSIBLE BLUE ROSE

    Nearly 40 members of Calgary’s community were approached to participate in Lipton's grand re-enactment of THE IMPOSSIBLE BLUE ROSE last June, solicited online and through word-of-mouth. The resulting performance, titled Signed, Your Loving Secret Admirer, took...

  • Unexpected Images

    It is a policy of Studio C and Prospect Human Services to refrain from giving artist’s full names in order to protect the identity of their students, as they...

  • Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

    A door that leads to the third floor of the hotel is closed with a rusty padlock. We peer through the windowpane and someone points to a piece...

  • Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

    The following day, we drive and walk the valleys of Wayne, Nicole collecting and adhering pieces of the past with the present on Super 8 film, way-finding through...

  • Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

    Temporality and the making visible of time are notions of particular relevance to the Super 8 film system, Nicole’s primary method for documenting our time spent in Wayne. Super...

  • Nicola Waugh

    *Nicola Waugh* is an independent film programmer and communications professional based in Calgary. She holds a Master’s degree from York University and Ryerson University’s joint Communication and Culture program,...

  • Lindsay Sorell

    *Lindsay Sorell* is an artist and writer in Calgary, Alberta. With a special interest in relationships, art ethics, and the implications of digital media, she has participated in numerous...

  • Editor's Note

    My family rented Spy Game (2001) from Blockbuster and took it back to our shitty townhouse at 5636 Pensacola Crescent, Calgary. I watched the whole film while smelling a...

  • Of Love and Politics: Kiju Yoshida’s Love + Anarchy

    Kiju Yoshida was born in 1933 and, alongside fellow filmmakers Nagisa Oshima, Seijun Suzuki[mailto:https://www.criterion.com/explore/86-seijun-suzuki] and Masahiro Shinoda, was one of the key figures in Japan’s ’60s Nouvelle Vague, making films that, like their French counterparts,...

  • Of Love and Politics: Kiju Yoshida’s Love + Anarchy

    The first film in the trilogy, Eros + Massacre (1969), is presented in two cuts, theatrical (running nearly three hours) and director (an hour longer). Unlike most directors’ cuts...