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• Shelby Gray

  *Shelby Gray* is an Alberta College of Art & Design sculpture Alumni living in Calgary, Alberta. At a young age she developed a love of cinema when her...

• Jacob Bews

  *Jacob Bews* is currently a student at the University of Calgary, completing his undergraduate English and Film Studies double major, while also acting as Co - President of the University of Calgary Film...

• Steffanie Ling

  *Steffanie Ling* is a producer of criticism, pamphlets, stories, essays, exhibitions, reviews, bluntness, anecdotes, shout outs, wrestling storylines, proposals, applications, jokes, readings, minimal poems, poems, dinner, compliments, and diatribes. She...

• Steph Wong Ken

  *Steph Wong Ken* is a writer based in Calgary, Alberta. Her work has appeared or is forthcoming in Ninth Letter, Catapult, Joyland, Pithead Chapel, and other publications. She is...

• Editor's Note: Cool Mud

  When I think of this image of my mom, I can feel her power. It was like some sort of magic, powers. With nothing but land in sight,...

• Lorenza Mazzetti: Free

  In time, she heard that the school had a film society. She didn’t tell her professors, but she had decided to make movies. The first one, entitled K...

• Lorenza Mazzetti: Free

  The idea behind Free Cinema became official in February 1956, one month after Lorenza finished making Together. She was heartbroken, but she still had her friends, a colourful group...

• Lorenza Mazzetti: Free

  Lorenza returned to Italy, but her struggle to make film was only just beginning. The Italian industry didn’t know what to do with her, she told me. Her...

• Beyond Social Fact in Susan Hiller's PSI GIRLS

  Psi Girls is comprised of five scenes projected side-by-side, each portraying a young girl performing a telekinetic act. She cites iconic moments from The Fury (1978, Brian di Palma), The Craft (1996, Andrew Fleming), Matilda (1997, Danny...

• Beyond Social Fact in Susan Hiller's PSI GIRLS

  From The Kunsthalle Nürnberg’s catalogue in 2012, Susan Hiller: From Here to Eternity: The near-critical mass of examples of such scenes from genre films . . . proves that...