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• Movement as Activism

  Ties made through social media however—groups on Facebook, Twitter hashtags, Instagram private messages—are low-risk, with a low level of accountability. While they succeed in exposing a User to new...

• The 10th Alberta Biennial

  Echo’s Chorus by Devon Beggs: A Strange Polyphony by Areum Kim

• The 10th Alberta Biennial

  The video starts in a dark cave draped with a host of stalactites, shrouded in soft synth sound. Absurd and whimsical forms emerge from the transmuting landscape of Devon Beggs's Echo's...

• The 10th Alberta Biennial

  Delightfully, it asks me to swipe right if “It frustrates me to not understand how something works.” And I am frustrated by the unclear ways that my answers...

• The 10th Alberta Biennial

  But what is it to act all this out, as if we didn’t know? More compelling are the pleasures of the quiz itself: awkward self-reflection in public, a...

• The 10th Alberta Biennial

  Vignettes of everyday detritus flash across the screen: objects fall to the ground, balloons pop, garbage lays scattered or is employed as an instrument for sound-making. Stacey Watson and...

• The 10th Alberta Biennial

  Creating limitless entry and exit points, Object Vocation exists as a rhizome, working laterally rather than hierarchically. It resists narrative structure, enabling a waterfall of connections between semiotic chains,...

• Anj Fermor

  *Anj Fermor* is an artist and writer residing in Calgary, Alberta on Treaty 7 Territory. They have provided art work and writing for exhibitions throughout Calgary. This summer they...

• St. Martins, New Brunswick

  I bought my travel wardrobe at the Nanton Salvation Army, so the black skirts and sheer blouses are threadbare, the scarves patterned with lassoes and smelling of camphor. Wrapping...

• St. Martins, New Brunswick

  The trails leading to the caves are overrun with calf-like children and their heifer mothers. In defiance, I discover untraveled, rocky ledges, grab branches for support—nettles catching, but not...