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  • Convictions: Rita McKeough's Veins

    The low growl escalates into furious barking. The music running through the installation sings a particular narrative of premonition: an ominous chanting, whispering, a chorus, burst of vicious growl,...

  • On Context

    Searching for territory beyond the classic “puff piece” directive, Dan Olson wears in a free press pass to the 2016 Calgary Underground Film Festival, takes Harrison Atkins for waffles...

  • First Nations Involvement in Alberta’s Film Industry

    Despite the Stoney Nakoda’s visible contribution to Alberta’s film history, there has been little documentation of their involvement with the creation of these media texts, a societal failure that...

  • First Nations Involvement in Alberta’s Film Industry

    When Graham asked if anyone recognized the clothing, face paint, horses, or patterns on the teepees in Little Big Man, the elders agreed that these costumes and props...

  • First Nations Involvement in Alberta’s Film Industry

    Laughter permeated sections of the screening, where a deep and profound sadness soaked into others. At one point in Little Big Man, General Custard and his army slaughter...

  • Brianna Strong

    *Brianna Strong *is a visual artist residing in Calgary, Alberta. She is interested in how a reduced visual language of dots and lines can be extended into the...

  • Tianna Fischer

    *Tianna Fischer* recently completed a Bachelor of Arts with Honours in Film Studies at theUniversity of Calgary. She previously acted as the VP Communications for the University of Calgary Film Society...

  • Supporters

     In addition to our public funders, Luma wishes to acknowledge the generous support of the Alberta Media Arts Alliance Society for the final issue.  AMAASLogo 800px Luma relies heavily...

  • Is it finished.

    Later, I turned to Google to research these artists. Most of what came up were Facebook profiles, wedding photographers, and a lot of blank National Gallery profiles; only...

  • Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

      THE STUDIO: THE OFFICE One houses a particularly nebulous type of labour, while the other is designed specifically to execute tasks. In the studio, where process is a goal...