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• Queers and Our Counterparts

  AF: Exactly. Yep. DM: And it’s like, well no, if you keep watching—which people usually do—then that’s when the details come apart and then it’s like dissecting it as...

• Queers and Our Counterparts

  AF: Mm. NK: —Films, you know, can occupy those spaces as well, but also have their own life via, you know, social media, and the internet, and also— AF: Yeah, they go into...

• As the Mind Tracks Shape... As the Mind Recalls Sound...

  JN: Since its origins, documentary film has challenged the claim to pure objectivity that goes hand-in-hand with the development of Western rational-technical culture. Experimental or hybrid documentary forms take...

• As the Mind Tracks Shape... As the Mind Recalls Sound...

  JN: Printed text and recorded speech play important roles in your work as positioning devices. What are the powers each brings that determine when you might use one...

• As the Mind Tracks Shape... As the Mind Recalls Sound...

  JN: You’re known as a prolific chronicler, your camera and sound kit ever-ready to make recordings that may not make their way into resolved works for some time....

• Failure, Transformation, Order: Tasman Richardson's "Janus"

  Straddling the left and right brain, Richardson’s dual-channel video installation, launched February 2nd at EMMEDIA’s PARTICLE + WAVE Media Arts Festival[http://emmedia.ca/2017/01/particle-wave-feature-night/], is an astute interrogation of video-as-medium and, I wager, an abstract gesture...

• Failure, Transformation, Order: Tasman Richardson's "Janus"

  "The pendulum swings from realism to abstraction in history, and in my own continuum, it's the same," Richardson reflects on the trajectory of his work. By subjecting Atari...

• Failure, Transformation, Order: Tasman Richardson's "Janus"

  A combination of his once-sidelining Atari experimentations and his now-established Jawa technique, Janus stands as a new and more unpredictable manifestation of the artist’s intent to create languages of...

• Failure, Transformation, Order: Tasman Richardson's "Janus"

  Something at once nostalgic and futuristic, Janus is video blasted free of the dead flesh of the figurative, a unique style of audiovisual composition where both visual and auditory elements emerge...

• Naked and Alone at The Threshold Between Two Worlds

   Coloured light blazes into the gallery, tinted by vinyl applied in geometric shapes to the surrounding half-moon windows up high—a work itself titled Eyes Breathing In, Eyes Breathing Out. Appearing like...