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Failure, Transformation, Order: Tasman Richardson's "Janus"
A combination of his once-sidelining Atari experimentations and his now-established Jawa technique, Janus stands as a new and more unpredictable manifestation of the artist’s intent to create languages of...
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Failure, Transformation, Order: Tasman Richardson's "Janus"
Something at once nostalgic and futuristic, Janus is video blasted free of the dead flesh of the figurative, a unique style of audiovisual composition where both visual and auditory elements emerge...
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Naked and Alone at The Threshold Between Two Worlds
I think back to a few months ago when the exhibition curator, Christina Cuthbertson, mentioned the Southern Alberta Art Gallery’s aspirations to host nude viewings of this work. I...
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Naked and Alone at The Threshold Between Two Worlds
Coloured light blazes into the gallery, tinted by vinyl applied in geometric shapes to the surrounding half-moon windows up high—a work itself titled Eyes Breathing In, Eyes Breathing Out. Appearing like...
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Naked and Alone at The Threshold Between Two Worlds
Titled In The Telestic Waters, I See…, these clusters are the large-scale results of Dragan’s experiments with molybdomancy, an ancient method of divination where hot metal is poured into...
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Naked and Alone at The Threshold Between Two Worlds
This provocation to experiment and experience is exactly what makes the exhibition a success. Miruna Dragan has spent nearly two decades creating videos, photographs, installations, and experiences that investigate...
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Fascinated and Repelled: an Interview with Lorenzo Fusi
During his first three weeks, Fusi organized IKG LIVE1, an exciting two-day performance festival at the Alberta College of Art and Design welcoming the temporal works of over...
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Fascinated and Repelled: an Interview with Lorenzo Fusi
SARAH TODD: Performing the Landscape was one of the first projects you launched almost as soon as you arrived in Calgary as Visiting Academic Curator of IKG. Your...
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Fascinated and Repelled: an Interview with Lorenzo Fusi
ST: It’s a generalization, but I think that Canada has this kind of double-edged insecurity in relation to nature and art; on one hand, Canadians are kind of...
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Concrete constructs of linearity
When I was child growing up in a small town, my mother would indulge me in a fantasy that I possessed a magical power: the power to change...