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• Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

  Jones has exhibited the unedited, soundless footage at numerous exhibitions across the world, including the 2008 Whitney Biennial. Rather than editing the footage, the impact of Jones’s showing the...

• The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

  This idea becomes particularly clear in two films in the series: Myriam Allard and Sarah Bronsard. The dancer in Sarah Bronsard moves across the floor using her torso as the...

• The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

  In a quiet flamenco, Terracciano seems less concerned with the character and movement of flamenco and more so with the personalities - the very personhood - of the...

• Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban

  I would say 23 days in Vancouver is equal to 40 days in Mexico. In Mexico, things move slower. For example, you might start shooting two hours after...

• Isaac Wurmann

  *Isaac Wurmann* is a freelance journalist living and working in Winnipeg. He is a recent graduate of the journalism program at Carleton University, where he completed a double major in journalism and...

• Editor's Note

  I have been listening to and really loving an amazing eight episode podcast about gender non-binary identities called NB from the BBC.¹Gender non-binary is “an umbrella term for people...

• How Real Do You Want Me To Be?: Kate Craig’s DELICATE ISSUE

  The soundtrack contains heavy breathing accompanied by the sound of a heartbeat. At times the heartbeat and breathing become slightly muffled by the microphone. In the initial shots of...

• Fostering Women and Filmmaking: 30 Years of Herland

  Herland is an organization that seeks to bring films by and about women to a larger audience. Originally a festival, Herland is now focused on advancing women's careers...

• Time Record: A Memoir of Teenage Cinephilia by VCR

  I first saw The Mephisto Waltz not on a commercial VHS tape, either rented or purchased, but as one taped off of broadcast television. I last saw it...

• Machine Language Protocol: Jeremy Shaw’s QUANTIFICATION TRILOGY

  The three short films in Vancouver-born, Berlin-based director Shaw’s Quantification Trilogy, Quickeners (2014), Liminals (2017), and I Can See Forever (2018), look like documentaries dating from the near to...