Editor Note Image resized

Editor's Note

BY Kristen Hutchinson

Who Gets to Tell The Story?
Stand Schur

Navigating History, Memory, and Mythology: The Challenges of Depicting the 1919 Winnipeg General Strike

BY Isaac Wurmann

Addressing the predicament of historical reinterpretation through a comparison of films on the 1919 Winnipeg General Strike.

Catherine

Carbon Capture: Experimental Strategies for Re-Presenting the Anthropocene

BY Kevin Dong

Artifact Small Format Film Festival’s experimental films about the forces of nature are put under the microscope.

Fermor 1

Homo-Sighting: Consent & Refusal of Queer Performance in Ryan Danny Owen's LOVE ME LIKE THERE'S NO TOMORROW

BY Anj Fermor

Intimate musings on the complexity of performing queer bodies in a comparison of LOVE ME LIKE THERE’S NO TOMORROW and William E. Jones’s TEAROOM.
HANNA Maeve Image 1

The Sounds and Sights of Dance: Rosanna Terracciano's A QUIET FLAMENCO

BY Maeve Hanna

An examination of how Flamenco is reinterpreted, synthesized and personalized by the various dancers in Rosanna Terracciano’s installation A QUIET FLAMENCO.

Melnyk 5

Stalking Our Doppelgängers: An Interview with Filmmaker Isaac Ezban

BY George Melnyk

Isaac Ezban discusses the lures of the science fiction genre and the joys and challenges of directing his recent film PARALLEL.

Sign up to be notified when our next issue is released, or follow us on Twitter.

 
SIGN UP