Totalitarian vision, feelings of entrapment, and class disparity
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BY Lindsay Sorell
BY Felicia Glatz
Felicia Glatz chronicles the nomadic history, imagination, and recent transformation of Calgary's longest running film festival—from three rolls of sound film to the celluloid renaissance.
BY Özgün Eylül İşcen,
Co-presented with DECOY MAGAZINE, the exhibition essay for THE CHANNELERS at EMMEDIA: videos and .gifs about Marxism, the re-distribution of value, and still getting paid.
BY Neil Surkan
Drinking light through their eyes—poet Neil Surkan responds to Kapwani Kiwanga's film A PRIMER with meditations on colour, nature, freedom, chaos, and the aesthetics of isolation in Calgary.
BY Ted Stenson
The second in LUMA's three-part series on the making of Gillian McKercher's CIRCLE OF STEEL, this interview finds inspiration in an unlikely place: Dr. Dre.
BY Mary Arnatt
"Somebody may be following her, watching her"—surveillance, paranoia, and Jane Fonda in Alan Pakula's 1971 film KLUTE.
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