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• A Powerful Audience

  *Paige Boudreau: I always feel so conflicted when people ask me "the feminism question" because it always feels so clunky—you know—‘How do you feel about us having female film...

• A Powerful Audience

  ML: So first of all I think us as women should support these types of festivals, like genre festivals, and fuck what everyone else thinks. If they think...

• The Wrong Side of the Tracks

  Piquant call-back moments of nostalgia, along with brick-sized flip-phones and the school’s overhead projector, disarm the audience with their familiarity and accuracy, until you may be left shaking with...

• Creating a Baseline

  *TS: Never having written a feature before, how did you approach the writing phase? Did you just say, ‘I’m going to write a script and that will be...

• Creating a Baseline

  *TS: You’ve never done something on this scale before. What has it been like making these kind of decisions? And how are you figuring out what you need...

• Sarah Todd

  *Sarah Todd* is a curator currently living and working in Calgary, where she is an art curator and public programmer at the Glenbow Museum. She has previously worked...

• Jem Noble

  *Jem Noble* (UK, 1974) lives and works in Vancouver (unceded Coast Salish territories). He repurposes media artifacts, stages gestures, screenings and performances, makes installations, publications and broadcasts, often working collaboratively....

• Lindsay McIntyre

  *Lindsay McIntyre* is a film artist working with 16mm film and experimental, handmade and documentary techniques. Her short films circle themes of portraiture, place, form and personal histories. She has created...

• Bruce Hugh Russell

  Born in Vancouver in 1952, Bruce Hugh Russell studied at the Vancouver School of Art (now Emily Carr University) and at Concordia University. An independent curator and art historian,...

• Editor's Note: Re-Ornamentation

  Kapwani Kiwanga, in her 2-channel sound installation 500 ft at Esker Foundation—part of her exhibition A wall is just a wall (and nothing more at all)—gives a 12-minute oral history of institutional...