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• Jason Edward Lewis: The Indigenous Future Imaginary

  Jason Edward Lewis is a champion for better futures. In collaboration with his partner, Skawennati, he has spent the last fifteen years expanding the notion of the Indigenous Future Imaginary. Seeking...

• Jason Edward Lewis: The Indigenous Future Imaginary

  LUMA: In Coded Territories, you talk about William Gibson, Jackson 2Bears talks a lot about Derrida, but how do you find negotiating this space between more settler, institutional methodology and your own Indigenous...

• Handmade Portraits

  This is Lindsay McIntyre’s response to the “death” of the medium in the digital age. Hailing from Edmonton, McIntyre has been selected as the Visiting Artist for the 24th...

• Editor's Note

  The things in my apartment don’t look like they are moving. Embedded to my left like a member of Stonehenge sits one of my waist-height Technics speakers[http://img.canuckaudiomart.com/uploads/large/467252-technics_speakers_sba37.jpg], a moving-out spider plant[http://tipnut.com/projectpics2/spider-plant.jpg] from my mom on...

• The Epic of THE IMPOSSIBLE BLUE ROSE

  Nearly 40 members of Calgary’s community were approached to participate in Lipton's grand re-enactment of THE IMPOSSIBLE BLUE ROSE last June, solicited online and through word-of-mouth. The resulting performance, titled Signed, Your Loving Secret Admirer, took...

• Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

  The following day, we drive and walk the valleys of Wayne, Nicole collecting and adhering pieces of the past with the present on Super 8 film, way-finding through...

• Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

  Temporality and the making visible of time are notions of particular relevance to the Super 8 film system, Nicole’s primary method for documenting our time spent in Wayne. Super...

• Lindsay Sorell

  *Lindsay Sorell* is an artist and writer in Calgary, Alberta. With a special interest in relationships, art ethics, and the implications of digital media, she has participated in numerous...

• Of Love and Politics: Kiju Yoshida’s Love + Anarchy

  Kiju Yoshida was born in 1933 and, alongside fellow filmmakers Nagisa Oshima, Seijun Suzuki[mailto:https://www.criterion.com/explore/86-seijun-suzuki] and Masahiro Shinoda, was one of the key figures in Japan’s ’60s Nouvelle Vague, making films that, like their French counterparts,...

• Of Love and Politics: Kiju Yoshida’s Love + Anarchy

  The first film in the trilogy, Eros + Massacre (1969), is presented in two cuts, theatrical (running nearly three hours) and director (an hour longer). Unlike most directors’ cuts...