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• ᑭᔦᑐᐦᑌᐤ-kiyêtohtêw

  I use a false colour, infrared inspired film a lot of the time. I love the unpredictable and dreamy results. It turns yellows to pinks, dark blues to green,...

• Sanaa Humayun

  *Sanaa Humayun* is a second-year student completing her BFA in painting at AUArts and an emerging visual artist residing in Mohkinstsis, trying to make art and make space for marginalized folks....

• Zach Green

  *Zach Green* is a writer and filmmaker located in Mohkinstsís (Calgary) currently in the final year of his BA in Film Studies at the University of Calgary, where he is writing...

• Kate Barry

  *Kate Barry* has performed and exhibited in galleries and festivals throughout Canada and internationally, including the National Gallery of Canada, Vancouver Art Gallery, Open Space (Victoria), 7a*11d Festival of Performance Art (Toronto),...

• A Formalism of Feeling: Queer Temporalities and Memory in PORTRAIT OF A LADY ON FIRE

• A Land I Know as Well as Myself: Cheyenne Rain LeGrande ᑭᒥᐊᐧᐣ’s MASKEKEWAPOY ᒪᐢᑫᑫᐊ

  She learns from her friend, Nicole Priessl, who has ancestors from and around Deer Lake: “Nicole brought me to Deer Lake prior to performing and she shared the knowledge of...

• A Land I Know as Well as Myself: Cheyenne Rain LeGrande ᑭᒥᐊᐧᐣ’s MASKEKEWAPOY ᒪᐢᑫᑫᐊ

  LeGrande is a Nehiyaw Isko artist from Bigstone Cree Nation who was living in the territory of Sḵwx̱wú7mesh (Squamish), Stó:lō and Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh) and xʷməθkʷəy̓əm (Musqueam) Nations(so-called Vancouver)at the time. She was trying to understand how...

• Editor's Note

  Katarzyna Kozyra’s The Rite of Spring (1999-2002) is a seven-channel video installation in which a group of older bodies, choreographed by Vaslav Nijinsky, dance to Igor Stravinsky’s ballet of the same title. As the...

• Editor's Note

  The second video art installation that has been replaying in my mind like a loop in a black box gallery is Steve McQueen’s Deadpan from 1997. McQueen recreates...

• The Instability of Place: Kevin Lee Burton, Paul Wong & Amanda Strong on grunt gallery’s Urban Screen

  The urban screen sits on the unceded, traditional territories of the Coast Salish peoples sḵwx̱wú7mesh (Squamish), sel̓íl̓witulh (Tsleil-Waututh), and xʷməθkʷəy̓əm (Musqueam) nations. Traditionally Kingsway followed the Indigenous trail used by...