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  • The Channelers

      *II: Pleasure in the Confusion of Boundaries and Responsibility in Their Construction*   Artists, curators, and museum/gallery teams build the walls to hide ugly computers and assign crew to the...

  • Wiretapping Pakula's KLUTE

    Oblivious to the male voice talking about her, Bree Daniels (Jane Fonda) continues to dial on the rotary phone. The male voiceover, positioned over a contemplative and anonymous gaze...

  • Wiretapping Pakula's KLUTE

    Explicit point-of-view (POV) shots are used throughout Klute. For example, twice in the film, the handheld camera looks down through Bree’s skylight, spying on her, oblivious, inside her apartment....

  • Wiretapping Pakula's KLUTE

    Midway into the film, Bree enters a nightclub. The audience watches her enter from across the dance floor. As dancers cross in front of the camera, it becomes...

  • Wiretapping Pakula's KLUTE

    Notably, Bree, not the titular Klute, is featured most prominently in the film. We see her in personal, private moments—talking to her therapist, alone in her tiny apartment, walking...

  • Wiretapping Pakula's KLUTE

    Finally, the sound design also heightens the sensation of intimacy and voyeurism. Much of the film’s narrative centers on recordings: Klute is shown recording Bree, the stalker repeatedly listens...

  • Wiretapping Pakula's KLUTE

    “…somebody may be following her, watching her…” While various men follow and spy on Bree throughout Klute, the ultimate voyeur is not any of them; it is us, it...

  • Private Rooms: Suite for Kapwani Kiwanga

    How can I make time out of toxins? —Lisa Robertson                   A Float   If I’m an archipelago of permeable particles then a seamount, deeply squatted, on its...

  • If you tell yourself garbage is art, is it possible to be wrong?

    After shuffling through some papers and a few different drawers, the technician turned around with a grimace and broke it to me—only 17 images could be developed out...

  • If you tell yourself garbage is art, is it possible to be wrong?

    Film feels like an act of God, especially when you are using a half-broke camera because you are half-broke yourself. It giveth and it taketh away. Some memories...