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Editor's Note
Having grown up in a small town in rural Quebec, raised by primarily atheist parents, I did know about Jehovah Witnesses but I had never heard of Seventh...
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The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
Fluctuating between a re-enactment of Joseph Smith’s “Visitation”,1scenes depicting pilgrims, missionaries and polygamists staged in the Mojave desert, and home-movie like sequences of the faithful walking to the temple in...
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THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA
The other grouping of posters includes one that lends its title to the exhibit, Thumbs That Type and Swipe. The words outline the pad of a large thumb,...
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B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture
These are some of the first images and snippets of dialogue from B.G-Osborne’s ten-and-a-half-minute 2018 video installation A Thousand Cuts. Appropriated clips of representations of trans people played by...
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Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE
The character of Alice (Kristýna Kohoutová) appears uncomfortable in the real world. The film is an expression of frustration at a system that forcefully tries to fit a person...
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The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
Moss is now a self-professed atheist, although even this allegiance makes him uneasy; “I am averse to any/all absolutes. I don't believe in god, but I don't want...
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The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
Beyond this material treatment, the process of recording images for the film may be the most compelling element of the work. Moss travelled with his family (a trip...
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The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
Much of the imagery in the film, the landscapes, people, and audio recordings were the result of Moss’ travels and discoveries with Leigh Moss, who left the LDS...
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The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS
Although Moss has disavowed his religious heritage, he has not been able to deny the strong sense of kinship and pride he holds for his family and his...
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THUMBS THAT TYPE AND SWIPE: The DIS Collective at Plug In ICA
Facing the AV equipment was a couch made of small, square hay bales, the type that was ubiquitous on Prairie farms into the 1970s, and for which I...