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• On Collectives, Projects, Film Itself, and a Sausage Factory

  *KR: Over the last few years, you’ve been conducting interviews and producing footage for your soon-to-be completed newest work, The Story of Film, about the state of analogue film....

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: What is it that attracts you to film as a medium, and what are your own thoughts about the status of the medium in the digital age?* KR:...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: I remember you telling me something interesting about film being a physical place for you. Can you explain that? * KR: Part of what I find interesting about a...

• On Collectives, Projects, Film Itself, and a Sausage Factory

  *LM: I’m really especially interested in this film-lab-in-a-sausage-factory thing you are doing now. Can you tell me more about it?* KR: Certainly. My partner, Nazli Dinçel, and I recently moved...

• Human Rights and Film at 150

   *ALANA CONWAY: Our Canada, My Story focuses on seven short films to explore the lived experience of Canadians from across the country. Why did you choose these individuals, and...

• Human Rights and Film at 150

  *AC: Most museums focus on artifacts and material culture, whereas the CMHR tends to focus more on personal experience and storytelling. How do you see the potential of...

• Human Rights and Film at 150

  *AC: What were some of the technical challenges in developing this exhibit?* JP: The exhibition is comprised of seven intimate, circular spaces throughout the gallery, one for each film. Each...

• Human Rights and Film at 150

  *AC: The CMHR is located in Winnipeg and as a national museum celebrates stories from across Canada and around the globe. How have you enabled people to engage...

• The Language of Trees

         The Heritage Tree                         I think the tree is an element of regeneration which in itself is a concept of time. Trees have always been a form of sculpture,...

• Kevin Rice

  *Kevin Rice* has been working with film since 2007. His practice is predominately based in the darkroom where he researches all aspects of photochemistry and performs in depth experiments on...