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• The Spectacle of Power: Ken Russell's THE DEVILS (1971)

  Another earlier scene, Jeanne of the Angels is tortured publicly in the name of cleansing her spirit, and a crowd wearing black masks watches. This masked audience echoes...

• PORTABLE CLOSETS by Kyle Alden Martens

  Every individual/collective is welcome to participate. The rules are not set in stone, but rather in the turtlenecks. With turtlenecks the players will move forward as instructed by one...

• Uncertain Frontiers: Female Identity and Rural Spaces

  The rise of the female perspective in Western film with the pioneer woman trope intended to work against idealized portrayals of settlement life often found in art made...

• Uncertain Frontiers: Female Identity and Rural Spaces

  Three decades later, Kelly Reichardt’s Meek’s Cutoff approaches the open landscape in a markedly different way, upending classic Western film tropes in the story of a group of American...

• Uncertain Frontiers: Female Identity and Rural Spaces

  The defining moment in Meek’s Cutoff occurs when Emily Tetherow (Michelle Williams) holds a loaded gun to the group’s shifty guide to protect a character they simply call “the...

• Uncertain Frontiers: Female Identity and Rural Spaces

  If Reichardt’s Meek’s Cutoff probes new ground for female agency, Coralie Fargeat’s 2017 film Revenge rips it apart into a female-centred redemption tale. A French film that premiered at...

• Uncertain Frontiers: Female Identity and Rural Spaces

  The use of rape as a character motivator in the film, where the character experiences violent sexual trauma to find power can be seen as problematic, a gender...

• Kristen Hutchinson

  *Kristen Hutchinson* (they/she) is a queer and gender-fluid visual artist, cultural critic, curator, writer, editor, and adjunct professor of art history, feminism, media studies, and popular culture. They received...

• Editor's Note

  Having grown up in a small town in rural Quebec, raised by primarily atheist parents, I did know about Jehovah Witnesses but I had never heard of Seventh...

• The Texture of the Gesture: Exploring Apostasy and Ancestry in Jeremy Moss' THESE WAYS I TRANSGRESS

  Fluctuating between a re-enactment of Joseph Smith’s “Visitation”,¹scenes depicting pilgrims, missionaries and polygamists staged in the Mojave desert, and home-movie like sequences of the faithful walking to the temple in...