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• Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

  Kolijn’s installation relies on the integration of science technologies and art-making as a way to engage and educate viewers on important conversations about climate change and the effects of...

• Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

  Much has been written and discussed about the gaze of the camera: it’s patriarchal, steely glare simultaneously fetishizing and sterilizing its subjects into submission. From the lens of a...

• Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

  Nature works both of its own accord and in reaction to intervention from human activities. Scientific advancements seek to simplify the complex mechanisms of nature in order to apply...

• Such partnerships, too: Eveline Kolijn’s THE OCEAN INSIDE

  Though there are many ways we can frame our relationship to climate crisis, colonialism, and patriarchal legacies, Kolijn’s The Ocean Inside is fertile ground for discussion around a collaborative...

• Ziwei Huang

  *Ziwei Huang* was born and raised in Guangzhou, a coastal city in south-east China. He came to Canada in 2016. Since then, he has been working as a...

• Kaylee Maciejko

  *Kaylee Maciejko* is an artist, writer and arts administrator based in Calgary, Alberta on Treaty 7 Territory. She graduated from the Alberta College of Art + Design (now Alberta...

• Chelsea Yang-Smith

  *Chelsea Yang-Smith* is a visual artist currently based in Calgary, Alberta. Using digital and analogue photography, she merges emotional intimacy with process through monumental banners depicting the Albertan landscape...

• That Battle is Over, Girl: Alice Schoenberg

  The perceived achievement of equality is an insidious form of repression itself. It manifests in the statement, “Well I sure don’t feel oppressed”. In creating a lack of challenging...

• That Battle is Over, Girl: Alice Schoenberg

  Swaying drums link up to organs and synths that create an expanding field for Hval’s sharp-witted lyrics. She moves between deep murmurs to high crests, polysyllabic runs to drawn...

• That Battle is Over, Girl: Alice Schoenberg

  This shift from the superwoman engaging with the mirror to facing the camera drove home Schoenberg’s critical engagement with feminist movements. The inclusion of the camera demonstrates how easily...