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  • thirstDays No.08: SO WIDE SO LOW SO HIGH

    Karaoke transition. It’s Elton John’s Benny and the Jets, sung by Brit Bachmann. The final contributors are introduced—I’ve been watching for about an hour and a half. First-time collaborators...

  • thirstDays No.08: SO WIDE SO LOW SO HIGH

    Having covered love and intimacy, they move onto compassion, nearly getting hit by the “Settler Shame Train,” and moving into the segment titled “White Settler Girl Who Feels Really...

  • Supporting Each Other in Genuine Ways Where We Are Now

    The individuals in this issue—writers, filmmakers, and artists—each take a marked interest in the people around them… using generous collaborations, absurd collages, to create spaces where uncertainty is not...

  • Queers and Our Counterparts

     This interview was held on January 5th, 2017 in Calgary, Alberta, and has been edited for length.   ANGELA FERMOR: So my name’s Angela Fermor, I’m an emerging artist...

  • As the Mind Tracks Shape... As the Mind Recalls Sound...

    In 1985, Hoffman was apprenticed to film director, screenwriter, and artist, Peter Greenaway, in Europe, where he filmed ?O,Zoo! (The Making of a Fiction Film)––nominated for Best Short Documentary...

  • Queers and Our Counterparts

    DM: Mhm. AF: —that in order to sort of validate the conversation of like a gender queer or trans body, there has to be nudity involved. NK: Hm. AF: Um… DM: Which...

  • Queers and Our Counterparts

    AF: Yeah, definitely. Yeah, I guess, I kind of explained my position, and sort why I’m asking these questions. Um, I come from a practice based almost entirely...

  • Queers and Our Counterparts

    AF: Exactly. Yep. DM: And it’s like, well no, if you keep watching—which people usually do—then that’s when the details come apart and then it’s like dissecting it as...

  • Queers and Our Counterparts

    AF: Mm. NK: —Films, you know, can occupy those spaces as well, but also have their own life via, you know, social media, and the internet, and also— AF: Yeah, they go into...

  • As the Mind Tracks Shape... As the Mind Recalls Sound...

    JN: In your 1994 film Technilogic Ordering, prolific images of the Persian Gulf War, refracted through the format of TV news, are manipulated using the mosaic function on...