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  • J.D. Mersault

    *J.D. Mersault* is a Calgary based writer. His art texts have been published most recently by the Art Gallery of Alberta and Untitled Art Society, and his art...

  • Jason Edward Lewis: The Indigenous Future Imaginary

    LUMA: What programs or mandates would you like to see in place in order to support visibility of this kind of work going into the future? ...

  • Jason Edward Lewis: The Indigenous Future Imaginary

    Jason Edward Lewis is a champion for better futures. In collaboration with his partner, Skawennati, he has spent the last fifteen years expanding the notion of the Indigenous Future Imaginary. Seeking...

  • Handmade Portraits

    This is Lindsay McIntyre’s response to the “death” of the medium in the digital age. Hailing from Edmonton, McIntyre has been selected as the Visiting Artist for the 24th...

  • Handmade Portraits

    A deep but fractured connection to personal and family history is also woven through several of McIntyre’s films, as they record, refract, and obscure the past in a...

  • Editor's Note

    The things in my apartment don’t look like they are moving. Embedded to my left like a member of Stonehenge sits one of my waist-height Technics speakers[http://img.canuckaudiomart.com/uploads/large/467252-technics_speakers_sba37.jpg], a moving-out spider plant[http://tipnut.com/projectpics2/spider-plant.jpg] from my mom on...

  • Handmade Portraits

    With In the Backyarden (2015), a film featuring a little girl playing in and exploring her surroundings, McIntyre evokes the time and place of warm, childhood memories. The film is...

  • The Epic of THE IMPOSSIBLE BLUE ROSE

    Lipton is the first to tell you that, “Not knowing what will happen is the scariest thing of all.” When initially embarking on this project, Lipton had planned to migrate...

  • Unexpected Images

    It is a policy of Studio C and Prospect Human Services to refrain from giving artist’s full names in order to protect the identity of their students, as they...

  • Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

    A door that leads to the third floor of the hotel is closed with a rusty padlock. We peer through the windowpane and someone points to a piece...