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• Lorenza Mazzetti: Free

  Despite a childhood punctuated by war and murder, Lorenza has had major exhibitions of paintings in Israel, France, and Germany. In the 1950s, she co-founded Free Cinema, a film...

• Ziwei Huang

  *Ziwei Huang* was born and raised in Guangzhou, a coastal city in south-east China. He came to Canada in 2016. Since then, he has been working as a...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  In wresting the Gothic away from medieval crypts and castles and anchoring it in the everyday (and frequently – as in Red Letter Day – the daylight), the...

• Being Artful: An Interview with Multimedia Artist Brad Necyk

  *SC: The presence of place is very prevalent in your work. A combination of literal and representative spaces. Where do these environments come from and why are they...

• THE QUEEN OF MY DREAMS: An Interview with Fawzia Mirza

  *KH:* It must have been hard to transform those images in Pakistan into the 1960s.  *FW:* Pakistan does not look the same. Karachi does not look the same. There’s just so many...

• Broken Knobs and Glass Eyes: Jan Svankmajer's ALICE

  The character of Alice (Kristýna Kohoutová) appears uncomfortable in the real world. The film is an expression of frustration at a system that forcefully tries to fit a person...

• Lorenza Mazzetti: Free

  Lorenza returned to Italy, but her struggle to make film was only just beginning. The Italian industry didn’t know what to do with her, she told me. Her...

• The SMELL DA COFFEE TV Sitcom Pilot: How Black? How Funny?

  The sitcom’s pilot isn’t only about fun and laughter. It explores a number of conflicts including the difficult world of gender-identity disputes in Afro-Canadian families. Obi and Adjoa are...

• Finding Community in Unfolding Spaces: An Interview with Vicki Van Chau

  *Vicki Van Chau (VVC):* I'm a media artist and cultural worker here in Calgary, Alberta. I went to the Alberta College of Art and Design, now the AUArts,...

• Materiality, Interaction, and the Other: Colton Hash & Freya Olafson

  Hash’s Acoustic Turbulence (2019) also mixes the physical and digital by using the Unity WebGL platform to allow viewers to interact with hydrophone data from Ocean Networks Canada.¹Although the interactions are less complex...