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• The Epic of THE IMPOSSIBLE BLUE ROSE

  Nearly 40 members of Calgary’s community were approached to participate in Lipton's grand re-enactment of THE IMPOSSIBLE BLUE ROSE last June, solicited online and through word-of-mouth. The resulting performance, titled Signed, Your Loving Secret Admirer, took...

• Women Extracting Ghosts: Mining Place and Time in Nicole Kelly Westman’s ROSE, DEAR

  Temporality and the making visible of time are notions of particular relevance to the Super 8 film system, Nicole’s primary method for documenting our time spent in Wayne. Super...

• Editor's Note

  My family rented Spy Game (2001) from Blockbuster and took it back to our shitty townhouse at 5636 Pensacola Crescent, Calgary. I watched the whole film while smelling a...

• Of Love and Politics: Kiju Yoshida’s Love + Anarchy

  Unlike the other two entries in the trilogy, Heroic Purgatory (1970) reads like science fiction, time traveling between eras of political agitation and history, and pushing the image ahead of ’70s dystopian tales like George...

• Video 1

• Ted Stenson

  *Ted Stenson* is a writer and filmmaker from Calgary, Alberta. He graduated from the MFA Theatre program at the University of Calgary with a degree in Playwriting. He writes...

• Culture & Capital: “Real failure needs no excuse” at the Esker Foundation

  A REAL JOB  A major reason that Ibghy and Lemmens have chosen to focus so intently on non-productivity in their studio practice is to disrupt the enormous external and...

• Re-presentations, Adaptations, and VARIATIONS

  For instance, in one of VARIATIONS’ most literal iterations of re-presentation, Stephen Broomer and Stuart Broomer re-create at least two (if not more) of Snow’s works including his 1960 Lac Clair[https://www.gallery.ca/en/see/collections/artwork.php?mkey=7267] painting with their...

• Re-presentations, Adaptations, and VARIATIONS

  Snow’s works and methods are re-presented and re(-)ferenced both aesthetically and formally throughout VARIATIONS. Dan Browne and Steve Richman’s Poem riffs on Snow’s concerns for framing by transcribing some of his experiments with...

• Slay, Okay

  It is with the much-discussed visual album’s disorienting ambition to simultaneously “challenge the ongoing present day devaluation and dehumanization of the black female body” and “to seduce, celebrate, and...