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  • On Collectives, Projects, Film Itself, and a Sausage Factory

    *KR: Over the last few years, you’ve been conducting interviews and producing footage for your soon-to-be completed newest work, The Story of Film, about the state of analogue film....

  • Human Rights and Film at 150

    *AC: The CMHR is located in Winnipeg and as a national museum celebrates stories from across Canada and around the globe. How have you enabled people to engage...

  • Stephen Broomer

    *Stephen Broomer* is a filmmaker and film preservationist based in Toronto. He holds a BFA in Film and Video Production, an MA in Film Studies, and a PhD in Communication...

  • Ashley Bedet

    *Ashley Bedet* is an interdisciplinary visual artist who lives in Calgary, AB. She attendedNSCAD University and Gerrit Rietveld Academie to earn her BFA. Through a variety of mediums including installations, games,...

  • Movement as Activism

    Ties made through social media however—groups on Facebook, Twitter hashtags, Instagram private messages—are low-risk, with a low level of accountability. While they succeed in exposing a User to new...

  • The 10th Alberta Biennial

    The video starts in a dark cave draped with a host of stalactites, shrouded in soft synth sound. Absurd and whimsical forms emerge from the transmuting landscape of Devon Beggs's Echo's...

  • The 10th Alberta Biennial

    Vignettes of everyday detritus flash across the screen: objects fall to the ground, balloons pop, garbage lays scattered or is employed as an instrument for sound-making. Stacey Watson and...

  • Performing objects, readymade bodies

    Video, photography, sculpture, and painting share a common space and duration in Liddington’s exhibition; autonomous objects from different disciplines have the opportunity to exchange meaning. In this, Merce Cunningham’s...

  • St. Martins, New Brunswick

    I’m digging into half a grapefruit when Looney darts from under the bed and arcs onto the windowsill. It’s open, not to the sea but to an alley...

  • Performing objects, readymade bodies

    Liddington’s they danced with the understanding that this was for them, eventually it was at the SAAG situates itself within this tradition of quotidian performance on film, movement as readymade....

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