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• Don’t just sit, don’t just stop

  *LUMA: You can engage with more of your senses too because there's music happening, there's movement; there's an emotional exchange that you get to be a part of,...

• Performing objects, readymade bodies

  they danced with the understanding that this was for them, eventually it was, a 32-minute video, plays on loop at the back of the space: a collage of...

• Don’t just sit, don’t just stop

  *LUMA: Yeah, I wanted to ask about that glitching. That sort of VHS-ization. I guess that's a new word…* [Laughter] AWB: Well Sabrina came to me, actually on Instagram,...

• A Powerful Audience

  ML: So first of all I think us as women should support these types of festivals, like genre festivals, and fuck what everyone else thinks. If they think...

• Crossing Borders

  More fences flash by six years later—this time at Esker Foundation in Calgary, Alberta. Fences of different patterns, designs, and materials change and morph throughout Postcommodity’s four-channel projection, A...

• Editor's Note: Re-Ornamentation

  Kapwani Kiwanga, in her 2-channel sound installation 500 ft at Esker Foundation—part of her exhibition A wall is just a wall (and nothing more at all)—gives a 12-minute oral history of institutional...

• Keep it loose: a short history of the Artifact Small Format Film Festival

  The rules were simple because the overall budget was determined by the cost of Super 8 film; $100 could buy you five rolls of black-and-white, four rolls of...

• The Channelers

    *II: Pleasure in the Confusion of Boundaries and Responsibility in Their Construction*   Artists, curators, and museum/gallery teams build the walls to hide ugly computers and assign crew to the...

• 1700 films, 1000 people, and 150 clubs: a not-so-Amateur Movie Database

  The project scope focuses on North America (mainly Canada and the U.S.) and spans from the 1920s—with the introduction of the first widespread consumer amateur film format (16 mm)...

• Less Grey

  *TS:* *Everything you’ve done before Circle of Steel was much shorter: web series, short films, music videos… What had been your previous experience of the post-production process? * GM: When I made the second season...