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• Editor's Note

  When I was a kid I absolutely adored the Wonder Woman TV series. To me, she was an aspirational, kick ass, female warrior. She made me believe that...

• Femme, Fierce, & f-stops: Women Working in Photography

  *Heather Saitz | @heathersaitz | heathersaitz.com* For over 15 years, Heather Saitz has been merging her skills as an award-winning photographer and art director to create compelling visual work,...

• What’s Found & What’s Wrought: On Abbas Kiarostami’s CLOSE-UP

  Kiarostami blurs the traditional line between documentary and fiction to tell and re-tell the story in Close-Up. The people involved all play themselves in the re-enacted scenes from the...

• Intimacy and Distance: Mona Hatoum at the Western Front

  Hatoum’s So Much I Want to Say (1983) fragments the body through the devices of the close-up and remote viewing. The video documents a live performance at the...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  While Calgary’s official brand splits the difference between anachronistic fantasies of rural simplicity and the skyscraper-strewn capitalist mecca, the reality is that suburbia vastly outstrips them both. It’s perhaps...

• The Monsters Are Due in Calgary: RED LETTER DAY and the Suburban Gothic

  In wresting the Gothic away from medieval crypts and castles and anchoring it in the everyday (and frequently – as in Red Letter Day – the daylight), the...

• Editor's Note

  It is fitting that the 20th issue of Luma Quarterly is comprised of articles all about Alberta: mainstream films shot here, the innovative distribution of media art in Edmonton, an exhibition...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  In Brokeback Mountain, the setting is the third protagonist alongside Jack and Ennis. Their fleeting encounters in the Wyoming mountains transform their shared desire into love from their first...

• Serenity, Destruction & Inauthenticity: The Transformation of Alberta in BROKEBACK MOUNTAIN and THE REVENANT

  The transformed Albertan landscape is given fleeting snapshots in these opening moments, unrecognizable on account of the little time spent on them as well as the extent of the...

• “A New Chivalry”: The Calgary Stampede on Film

  The star of 1925’s The Calgary Stampede, Nebraska-born Hoot Gibson, a champion rodeo rider, even won the Steer Roping Championship at the first Calgary Stampede in 1912. By the...