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  • Failure, Transformation, Order: Tasman Richardson's "Janus"

    Straddling the left and right brain, Richardson’s dual-channel video installation, launched February 2nd at EMMEDIA’s PARTICLE + WAVE Media Arts Festival[http://emmedia.ca/2017/01/particle-wave-feature-night/], is an astute interrogation of video-as-medium and, I wager, an abstract gesture...

  • thirstDays No.08: SO WIDE SO LOW SO HIGH

    I connect to the stream. The image presents itself on the screen of my laptop, a shaky, hand-adjusted frame that quickly steadies, focusing on the stage at VIVO...

  • Ektoplasm-o-vision! with Guy Maddin

    ML: Do you imagine “ectoplasmovision” as one long word, or with hyphens? GM: I sort of deleted it from my memory after attempting to coin the term. It seems...

  • Don’t just sit, don’t just stop

    *LUMA: Yeah, that was one of my favourite parts—how it's so conversational... There’s a Romanian and then an English voice, and they’re all speaking really poetically, and whatever they...

  • Concrete constructs of linearity

    Kite’s intermittent silences punctuated her memorized script with deep pitches of audio that engulfed us within a sonic ambiance. The audience shared a unanimous quietness, consciously engaged as Kite...

  • B.G-Osborne's A THOUSAND CUTS: Misconceptions of Trans People in Popular Culture

    The installation also included a list of all the documented trans people who have been murdered in the last two years.1About including the list, Osborne said, “I wanted to...

  • Concrete constructs of linearity

    When I was child growing up in a small town, my mother would indulge me in a fantasy that I possessed a magical power: the power to change...

  • The Wrong Side of the Tracks

    The car similarly acts as a rite of passage, and a symbol of class. The popular girl character, Jenna, drives herself to school in an enormous SUV. They...

  • Failure, Transformation, Order: Tasman Richardson's "Janus"

    Something at once nostalgic and futuristic, Janus is video blasted free of the dead flesh of the figurative, a unique style of audiovisual composition where both visual and auditory elements emerge...

  • Re-presentations, Adaptations, and VARIATIONS

    Snow’s works and methods are re-presented and re(-)ferenced both aesthetically and formally throughout VARIATIONS. Dan Browne and Steve Richman’s Poem riffs on Snow’s concerns for framing by transcribing some of his experiments with...